| Ohio
State University
/School of Music |
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| 1722 | Rameau, J.-P. (1722). Traité de l'harmonie. Paris: Jean Baptiste Christophe Ballard. Facsimile reprint, New York: Broude Bros., 1965. | ||
| Lausch, Johann Joseph (1782) [1751-1825] Psychologische Abhandlung über den Einfluss der Tone und ins besondere der Musik auf die Seele; nebst einem Anhange über den unmittelbaren Zwek der schönen Künste. Bresslau: Bei J.F. Korn, dem älteren.[1] | 1782 | ||
| 1850 | Pilo,
Mario [1859-1920] Lipps, Theodor [1851-1914] Trotter, Thomas Henry Yorke [1854-1934] Matthay, Borias [1858-1945] Farnsworth, Charles Hubert [1859-1947] Lee, Vernon [1856-1935] |
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| Wallace,
William [1860-1922] Dupré, Ernest Pierre [1862-1921] Seashore, Carl Emil [1866-1949] |
1860 | ||
| 1870 | Révész,
Géza [1878-1955] Stephani, Hermann [1877-1960] |
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| Bingham, Walter Van Dyke [1880-1952] | 1880 | ||
| 1890 | Rigg,
Melvin Gillison [1895- ] Lüthy, Werner [1896-] Bartholomew, Edward Fry (1899) [1846- ] Relation of Psychology to Music. Rock Island, IL: Augustana Conservatory of Music.[1] |
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| Bower, Libbie B. [1900- ] | 1900 | ||
| 1901 | Bugg,
Eugene Gower [1901- ] Meyer, Max (1901). Contributions to a Psychological Theory of Music. Columbia, Mo.: University of Missouri.[1] |
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| Adler,
Mortimer Jerome [1902-2001] Petran, Laurence Armstrong [1902-1978] |
1902 | ||
| 1903 | |||
| Pilo, Mario (1904) [1859-1920] Psicologia musicale; appunti, pensieri e discussioni di Mario Pilo. Milano: U. Hoepli.[1] | 1904 | ||
| 1905 | Fisher,
Henry (1905) [1845- ] Psychology for Music Teachers. The Laws of
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London: Curwen.; 3rd edition.[1] Lipps, Theodor (1905) [1851-1914] Psychologische Studien. Leipzig: Dürr.[1] |
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| 1906 | |||
| 1907 | Mayrhofer, Robert (1907). Psychologie des Kianges; und die daraus herorgelhende theoretisch-praktische Harmonielehre, nebst den Grundlagen der klaglichen Asthetik. Leipzig: Kommissionsverlag von F. Schuberth, jr.[1] | ||
| Bingham, Walter Van Dyke (1910). [1880-1952] Studies in Melody. Lancaster, PA: The Review Pub. Co. (Psychological Monographs. General and Applied. Vol. 12, No. 3. (Originally PhD thesis, University of Chicago, 1908.)[1] | 1908 | ||
| 1909 | Feininger, Karl (1909). [1844- ] An Experimental Psychology of Music. New York: A. Gemünder.[1] | ||
| Bean,
Kenneth L. [1910- ] Bingham, Walter Van Dyke. (1910). [1880-1952] Studies in Melody. Lancaster, PA: The Review Pub. Co. (Psychological Monographs. General and Applied. Vol. 12, No. 3. (Originally PhD thesis, University of Chicago, 1908.)[1] |
1910 | ||
| 1911 | Watson,
Karl Brantley [1911- ] Dupré, Ernest Pierre (1911) [1862-1921] Le langage musical: étude médico-psychologique. Paris: F. Alcan.[1] |
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| 1912 | |||
| 1913 | Conradin, Hans [1913- ] | ||
| Lipps,
Theodor [1851-1914] Moore, Henry Thomas (1914). The Genetic Aspect of Consonance and Dissonance. Princeton, NJ & Lancaster, PA: Psychological Review Company. Psychological Monographs. General and Applied. Vol. 17, No. 2.[1] Wallace, William (1914) [1860-1922] The Musical Faculty, Its Origins and Processes. London: Macmillan and Co.[1] |
1914 | ||
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| 1919 | Riemann, Hugo (1919) [1849-1919] Wie hören wir Musik?: Grundlinien der Musik-Asthetik. Berlin: M. Hesse.[1] | ||
| Pilo, Mario [1859-1920] | 1920 | ||
| 1921 | Dupré, Ernest Pierre [1862-1921] | ||
| Wallace,
William [1860-1922] Bacon, Gough Evelyn (1922). The Effects of Practice on Judgments of Absolute Pitch. New York: Columbia University (also published as Ph.D. thesis).[1] Diserens, Charles Murdock (1926). The Influence of Music on Behavior. Princeton, NJ: Princetone University Press. (PhD thesis, University of Cincinnati, 1922).[1] | 1922 | ||
| 1923 | |||
| Seashore,
Carl Emil (1924) [1866-1949] A Survey of Musical Talent in the
Public Schools, Representing the Examination of Children of the Fifth
and the Eighth Grades in the Public Schools of Des Moines, Iowa, with
the Author's Measures of Musical Talent. Iowa City: University
of Iowa.[1] Trotter, Thomas Henry Yorke (1924) [1854-1934] Music and Mind. London: Methuen & co., Ltd. New York: George H. Doran Co.[1] |
1924 | ||
| 1926 | Lichthorn,
Hans Gerhard [1926- ] Diserens, Charles Murdock (1926). The Influence of Music on Behavior. Princeton, NJ: Princetone University Press. (PhD thesis, University of Cincinnati, 1922).[1] Lipps, Theodor (1926) [1851-1914] Psychological Studies. Baltimore: Williams & Wilkins. Reprinted 1973, New York: Arno Press.[1] |
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| Gordon,
Edwin [1927- ] Schoen, Max (1927). The Effects of Music; A Series of Essays. New York: Harcourt, Brace.[1] Swisher, Walter Samuel (1927) [1882- ] Psychology for the Music Teacher. Boston: Oliver Ditson Co.[1] |
1927 | ||
| 1928 | |||
| Adler, Mortimer Jerome (1929) [1902-2001] Music Appreciation: An Experimental Approach to its Measurement. New York. Archives of Psychology Vol. 17, No. 110. PhD thesis, Columbia University.[1] | 1929 | ||
| 1930 | Farnsworth, Charles Hubert (1930) [1859-1947] Short Studies in Musical Psychology. Oxford: Oxford University Press.[1] | ||
| Kurth,
Ernst (1931). Musikpsychologie. Berlin. Reprint 1969, Hildesheim:
G. Olms.[1] Lüthy, Werner (1931) [1896-] Mozart und die tonartenscharacteristik. Strassburg: Heitz & cie.[1] |
1931 | ||
| 1932 | Petran, Laurence Armstrong (1932) [1902-1978] An Experimental Study of Pitch Recognition. Princeton, NJ & Albany, NY: Psychological Review Company. Psychological Monographs Vol XLII, No. 6. PhD dissertation, Johns Hopkins University.[1] | ||
| Lee,
Vernon (1933) [1856-1935] Music and its lovers, an Empirical Study
of Emotional and Imaginative Responses to Music. New York: E.P.
Dutton and Co. (Vernon Lee is a pseudonym)[1] Washco, Alec, Jr. (1933). The Effects of Music Upon Pulse Rate, Blood-Pressure and Mental Imagery. Ed.D. Thesis, Temple University.[1] |
1933 | ||
| 1934 | Trotter,
Thomas Henry Yorke [1854-1934] Wolff, Ernst Georg (1934-1938) Grundlagen einer autonomen musikästhetik. Strassburg[etc.]: Heitz & co.[1] |
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| Lee, Vernon [1856-1935] | 1935 | ||
| 1936 | Laske, Otto Ernst [1936- ] | ||
| Fine,
Harry (1937). A decade of Research in Experimental Psychology of
Music. M.A. Thesis, University of Cincinnati.[1] Mursell, J.L. (1937). The Psychology of Music. New York. Seashore, Carl Emil [ed.] (1937) [1866-1949] Objective Analysis of Musical Performance. Iowa City: University of Iowa. |
1937 | ||
| 1938 | Heinemann,
Rudolf [1938- ] Bean, Kenneth L. (1938). [1910- An Experimental Approach to the Reading of Music. Columbus, Ohio: American Psychological Association, Ohio State University.[1] Seashore, Carl Emil (1938) [1866-1949] The Psychology of Music. New York. Truslit, A. (1938). Gestaltung und Bewegung in der Musik. Berlin. |
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| Albersheim,
Gerhard (1939). Zur Psychologie der Ton- und Klangeigenschaften
(unter Berücksichtigung der "Zweikomponenten-Theorie" und der Vokalsystematik)
Strassburg: Heitz.[1] Diserens, Charles Murdock (1939). A Psychology of Music: The Influence of Music on Behavior. Cincinnati: The authors for the College of Music.[1] Matthay, Borias (1939) [1858-1945] An Introduction to Psychology for Music Teachers; Three Lectures by Tobias Matthay. London: Oxford University Press.[1] Rigg, Melvin Gillison (1939) [1895- ] What Features of a Musical Phrase have Emotional Suggestiveness? Stillwater, Oklahoma: Oklahoma Agricultural and Mechanical College. (Bulletin of the Oklahoma Agricultural and Mechanical College, vol. 36, No. 13)[1] Wellek, A. (1939). Typologie der Musikbegabung im deutschen Volke. Munich. Watson, Karl Brantley (1942) [1911- ] The Nature and Measurement of Musical Meanings. Evanston, IL: The American Psychological Association. Psychological Monographs, Vol. 54, No. 2, whole no. 244. Condensation of PhD thesis, Duke niversity, 1939.[1] |
1939 | ||
| 1940 | |||
| 1941 | |||
| 1942 | |||
| Weaver, Homer Ellsworth (1943). Studies of Ocular Behavior in Music Reading. Evanston, IL: The American Psychological Association. (Psychological Monographs. General and Applied. Vol. 55, No. 1. Revision of PhD thesis, Stanford University (1930).)[1] | 1943 | ||
| 1944 | Douel,
Jean (1944). Eassai de pédagologie musicale; principes techniques
d'une pédagogie générale de la musique. Paris: Gallet & fils.[1]
Hindemith, Paul (1944). A Concentrated Course in Traditional Harmony. [2 vols.] Associated Music Publishers (New York) 2nd edition. |
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| Bower,
Libbie B. (1945) [1900- A Factor Analysis of Music Tests. Washington,
DC: Catholic University of America Press, 1945.[1] Dreisoerner, Charles (1945). The Psychology of Liturgical Music. Kirkwood, MO: Maryhurst Press.[1] Wyatt, Ruth Fox (1945). Improvability of Pitch discrimination. Evanston, IL: American Psychological Association. Psychological Monographs, General and Applied, Vol. 58, No. 2.[1] |
1945 | ||
| 1946 | Révész, Géza (1946) [1878-1955] Einführung in die Musikpsychologie. Berne, 1946. Dutch trans. as Inleiding tot de musiekpsychologie. Amsterdam: Noors-Hollandsche U.M., 1946.[1] English trans. as Introduction to the Psychology of Music. Norman: University of Oklahoma, 1953. | ||
| Seashore, Carl Emil (1947) [1866-1949] In Search of Beauty in Music: A Scientific Approach to Musical Esthetics. New York. | 1947 | ||
| 1948 | Conradin, Hans (1948) [1913- ] Die Tonreihe als Bewusstseinserscheinung. Zürich: Dissertationsdruckerei Gebr. Leemann.[1] | ||
| Seashore, Carl Emil [1866-1949] | 1949 | ||
| 1950 | |||
| 1951 | |||
| 1952 | Bingham, Walter Van Dyke [1880-1952] | ||
| Lundin,
R.L. (1953). An Objective Psychology of Music. New York. Révész, Géza (1946) [1878-1955] English translation appears of Einführung in die Musikpsychologie. Berne, 1946. Introduction to the Psychology of Music. Norman: University of Oklahoma, 1953. |
1953 | ||
| 1954 | |||
| Révész, Géza [1878-1955] | 1955 | ||
| 1956 | Meyer,
Leonard, B. (1956). Emotion and Meaning in Music. Chicago:
University of Chicago Press.[1] Seashore, Carl Emil (1956) [1866-1949] Measures of Musical Talents Manual. New York: Psychological Corporation. Revised edition.[1] Stephani, Hermann (1956) [1877-1960] Zur Psychologie des musikalischen Hörens; hören wir naturrein, quintengestimmt, temperiert? Erfüllt sich der Sinn der Musiktonal, freitonal, atonal? Regensburg: G. Bosse.[1] |
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| 1957 | |||
| 1958 | Farnsworth,
Charles Hubert (1958) [1859-1947] The Social Psychology of Music.
New York. Francés, R. (1958/1988). La perception de la musique. Translated by W.J. Dowling as The Perception of Music. Hillsdale, N.J.: Lawrence Erlbaum Associates, 1988. |
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| 1959 | |||
| 1960 | Stephani,
Hermann [1877-1960] Wallach, Michael A., & Greenberg, Carol. (1960). Personality Functions of Symbolic Sexual Arousal to Music. Washington: American Psychological Association. Psychological Monographs. General and Applied. Vol. 74, No. 7.[1] |
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| 1961 | |||
| 1962 | Lichthorn,
Hans Gerhard (1962) [1926- ] Zur Psychologie des Intervalhörens.
PhD dissertation, University of Hamburg.[1] Nagosky, John (1962) [1929- ] Timbre Thresholds of Sinusoid Mixtures. Ann Arbor: University Microfilms. PhD thesis, Indiana University.[1] |
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| 1963 | |||
| 1964 | Shepard, Roger N. (1964). Circularity in judgments of relative pitch. Journal of the Acoustical Society of America, Vol. 36, pp. 2346-2353. | ||
| Plomp, R. & Levelt W.J.M. (1965). Tonal consonance and critical bandwidth. Journal of the Acoustical Society of America, Vol. 38, pp. 548-560. | 1965 | ||
| 1966 | Teploy,
Boris Mikhailovich (1966). Psychologie des aptitudes musicales,
par B.M. Teplov. Traduit du russe par Jean Deprun. Paris: Presses
universitaires de France.[1] Heinemann, Rudolf. (1966). [1938- ] Untersuchungen zur Rezeption der seriellen Musik. Regensburg: Bosse.[1] |
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| 1967 | |||
| 1968 | Shuter-Dyson, Rosamund (1968). The Psychology of Musical Ability. London: Methuen.[1] | ||
| Kameoka, A. & Kuriyagawa, M. (1969a/b). Consonance theory, part I: Consonance of dyads. Journal of the Acoustical Society of America, Vol. 45, No. 6, pp. 1451-1459. Consonance theory, part II: Consonance of complex tones and its computation method. Journal of the Acoustical Society of America, Vol. 45, No. 6, pp. 1460-1469. | 1969 | ||
| 1970 | Gordon, Edwin (editor) (1970) [1927- ] Experimental Research in the Psychology of Music. Iowa City: University of Iowa Press.[1] | ||
| Wing, Herbert Daniel (1971). Tests of Musical Ability and Appreciation; An Investigation into the Measurement, Distribution, and Development of Musical Capacity. Cambridge: Cambridge University Press, 1971.[1] | 1971 | ||
| 1972 | |||
| Butler, David M. (1973). An historical investigation and bibliography of nineteenth century music psychology literature. PhD Thesis, School of Music, Ohio State University.[1] | 1973 | ||
| 1974 | |||
| 1975 | |||
| 1976 | Gordon, Edwin (1976) [1927- ] Tonal and Rhythm Patterns, An Objective Analysis: A Taxonomy of Tonal Patterns and Rhythm Patterns and Seminal Experimental Evidence of their Difficulty and Growth Rate. Albany: State University of New York press.[1] | ||
| 1977 | |||
| 1978 | Petran,
Laurence Armstrong [1902-1978] Davies, John Booth. (1978). The Psychology of Music. Stanford, CA: Stanford University Press.[1] |
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| Butler,
D. (1979). A further study of melodic channeling. Perception &
Psychophysics, Vol. 25, pp. 264-268. Krumhansl, Carol L. (1979). The psychological representation of musical pitch in a tonal context. Cognitive Psychology, Vol. 11, pp. 346-374. |
1979 | ||
| 1980 | Laske, Otto Ernst (1980) [1936- ] Psychomusicology: A New Theory of Music. Bombay: Indian Musicological Society.[1] | ||
| 1981 | |||
| 1982 | Deutsch,
D. [ed.] (1982). The Psychology of Music. New York; 2nd edition
1999. Krumhansl, Carol L. & Kessler, E.J. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, Vol. 89, pp. 579-594. |
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| Lerdahl, F. & Jackendoff, R. (1983). A Generative Theory of Tonal Music. Cambridge, Massachusetts: MIT Press. | 1983 | ||
| 1984 | Cohen,
H.F. (1984). Quantifying Music: the Science of Music at the First
Stage of the Scientific Revolution, 1580-1650. Dordrecht. Bharucha, J. J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, Vol. 16, pp. 485-518. |
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| 1985 | |||
| 1986 | |||
| 1987 | |||
| 1988 | Jay Dowling publishes English translation of Francés, R. (1958/1988). La perception de la musique. | ||
| Parncutt, Richard. (1989). Harmony: A Psychoacoustical Approach. Berlin: Springer-Verlag. | 1989 | ||
| 1990 | Bregman, A. S. (1990). Auditory scene analysis; The perceptual organization of sound. Cambridge, MA: M.I.T. Press | ||
| Narmour, Eugene (1991). The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. Chicago: University of Chicago Press. | 1991 | ||
| 1992 | Narmour, Eugene (1992). The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. Chicago: University of Chicago Press. | ||
| 1993 | |||
| 1994 | |||
| 1995 | |||
| 1996 | Steblin, Rita (1996). A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. Rochester, NY: University of Rochester Press.[1] | ||
| 1997 | |||
| 1998 | |||
| Deutsch, D. [ed.] (1982). The Psychology of Music. New York; 2nd edition 1999. | 1999 | ||
| 2000 | |||
| Adler, Mortimer Jerome [1902-2001] | 2001 | ||
| 2002 | |||
